Tomas Reidy

Tomas Reidy photographs the built and the unbuilt with the same unfussed eye. A harbour slipway, a concrete bus station, the ruled grid of an old tide table; he is drawn to structure wherever he finds it. He spent years in Preston and London before returning to Ireland, and the brutalist work is a love letter to the buildings everyone else walked past. He prints his type work himself, on a proofing press he refuses to part with.

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