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Four small bodies of work, each with its own light and temper. Start wherever your eye goes first.
Quiet Irish and British shorelines at the turn of the tide. Estuaries, harbours and headlands, caught in the flat, even light that paper loves. Calm, cool, unhurried work for a wall you want to breathe.
The concrete monuments of post-war Britain, printed for their geometry and their grain. Bold, graphic and unsentimental, with one warm note let in to soften the grey.
Pressed-plant studies in the herbarium tradition. A single specimen on bone paper, the fine detail left to speak for itself. Restful, exact, and quietly old-fashioned.
Words and numbers printed the old way. Deep ink on cotton-rag, one colour, and the bite of the press left visible. Type as picture, for people who like their walls to say something plainly.